The Summer Of 24 - Album

The Summer Of 24 playlist, project, soundtrack, point of view, state of mind, don't mind, art - or simply "My summer album" ...

... that I am going to listen on repeat on vacation. Latas, bae.

Somewhere, Here - Album

Somewhere, Here is the follow up to "In A Parallel Universe". Recognising that more than one reality can exist at the same time, 'Somewhere, Here' is the way accepting this one here as one of the many universes we live in each day.

Wandering is the best way to transit. I think, I captured it.

One Green Tape EP

One Green Tape begins with the feeling of spring drifting through the air. People speak of a blue ribbon, but perhaps they mistake scattered pieces of sky for the ribbon itself. The ribbon has always been green—at least to me. You may see it differently.

Wandering through the streets, it quietly stitches together the worn places inside us. The fresh leaves feel like strips of green tape, gently patching the wounds left behind by winter.

Roaming

Roaming brings together three songs connected by a quiet sense of independence. Rather than chasing expectations, the EP embraces movement, curiosity, and the freedom to remain true to oneself. Whether reflecting on identity, material values, or the simple joy of being carried by music, every track offers a different perspective on living without asking for permission. Roaming is less about reaching a destination than discovering what remains when you stop trying to fit into someone else's map.

Don't You Cry

Don't You Cry is a collection of three connected pieces built around memory, longing and emotional transition. The release opens with A Love Letter, an intimate introduction originally conceived as part of the title track itself, before leading into Don't You Cry. While the title track finds comfort and hope beyond uncertainty, Pastlove looks back at the traces people leave behind. Together, the songs form a small narrative cycle about remembrance, reflection and moving forward without letting go of what mattered.

Latas, Bae

Latas, Bae marks the beginning of a new era for Lexter Adam. Combining modern electro-pop, Y2K nu-disco influences and cool, restrained vocals, the track turns a goodbye into a gesture of freedom. Beneath its playful confidence lies a quieter question: what happens when the part of us that wants to stay watches the other part walk away?

As the opening single from Somewhere Here, Latas, Bae introduces a more realistic visual language and a new chapter in Lexter's evolving story.

In A Parallel Universe - Album

In A Parallel Universe is not about escaping reality. It is about recognising that more than one reality can exist at the same time.

Across ten tracks, Lexter Adam explores the spaces between memory and presence, longing and acceptance, closeness and distance. Familiar themes from earlier releases return in new forms, as if viewed from another angle, another timeline, another life. Moments do not replace each other here—they coexist.

From the restless movement of Get Off Into Now to the reflective gravity of Two Moons, from the hidden tensions of We Don't Talk About It to the devotion of His Name Is Servant, the album follows connections that remain long after words have faded. Some stories are remembered. Others are imagined. All of them feel real.

Musically, In A Parallel Universe blends contemporary pop, electronic textures and dreamlike atmospheres into a cohesive journey. The result is an album that invites listeners to linger between certainty and possibility, where every song feels like a fragment of a larger constellation.

Perhaps there is only one universe.

Or perhaps there are many.

And somewhere, they touch.

Don't Ever Love Me

Don't Ever Love Me isn’t about rejecting love. It’s about understanding its weight. About realizing that some forms of love don’t arrive gently—they hit, and they keep moving.

This song lives in the thought that love is not always an arrow you can dodge. Sometimes it’s something far heavier, something you step into knowingly. Not to glorify pain, but to protect what matters. To take the impact so it doesn’t reach someone else.

Don’t Ever Love Me speaks from that place—where devotion becomes a conscious act, not a promise. Where love isn’t measured by what it gives back, but by what it absorbs. Not denying love, but carrying it far enough to become its greatest form. It’s not a warning, and it’s not a confession—it’s the quiet decision to stand in the way, again and again.

Get Off Into Now

Get Off Into Now lives in the moment where thinking lets go. I’m not leaving anything behind—I’m stepping out of delay, out of anticipation, into what is already here.

Into now means choosing presence over meaning. It’s not about escape, it’s about contact: with the body, the rhythm, the breath between two thoughts.

The song opens a state, not a story. If you enter, you don’t follow a path—you arrive.

I wrote it coming home, feeling lost between yesterday and tomorrow, unable to define the now.